killer killer nation! saturn v (traxx & james t cotton) turn out a sick wave dipped bomb (live playing / no samples!), while traxx/dmc enter bleep warehouse style territory with dark acid vocals... immense. tip!

sasha carassi is back on his phobiq imprint with the fiberboard ep!with synths sounding like liquid tension, the original mix is a journey through tough beats and frantic electronics. the mighty slam are in charge of the first remix and they take the dark and dirty route, stripping the original down and adding some bleakness of their own, only to surprise us with an old school-sounding breakdown. the acid mix is slightly more rolling, featuring snappy drums and pulsating percussion, which takes us to the fourth track of the ep closing up is tom laws, who has been making his own unmistakable noise as of late. utilizing simple,yet solid drums he offers us a clearer picture of the tense synths while maintaining the vibe of the original.

wolkenreise finds the duo moving away from the dark, peak hour techno to a gentler sound that flirts with emotive deep house for something classy and inspired. the track offers here is built on a raw, unhurried kick. all important contrast comes from the dry, echoing claps (which cut gorgeously through the bass clouds like, well, thunder) at unexpected intervals, a distant, longing and muted organ line (i think) and some heavy hearted synths. it’s melancholic but optimistic, and has a certain classiness to it which i really dig.” -teshno, january 2011. these are just some of the words that have many saying wolkenreise is the single of year so far with massive global support from all over the world including seth troxler, laurent garnier, craig richards and alexi delano to name a few. glistening and glowing remixes are created by the brilliant minds of john tejada, dj qu and rene breitbarth to offer up a vinyl that is timeless

following his prized joker rework, his inclusion on the hefty fabric-curated >elevator music< comp, his dope 7 inch for the all city crew, and corridor ep on plasticians terrorhythm imprint - not to mention a slew of remixes - om unit joins the civil music stable alongside starkey, reso, debruit, drums of death and darling farah. and yet again we see him pushing his sonic manifesto ever further. with years of working intently at the nexus of instrumental beats and electronic music, its time for the timps ep. the timps is real electro. faceless, percussive, underground with a sci-fi feel. dark, futuristic and dancefloor-oriented, punctuated with elements of 80s detroit techno.

it took a while, but after the relaunch in 2010 with 3 releases in total (ebe company, stormtrooper, jane ephex & stormtrooper), the next release on important ebe company is a fact.
moleculez & the relic, known for numerous releases on labels like symp.tom, meta4, third movement and many more, combined forces to please us with a 5-track vinyl ep.
the ep starts off with the track >cold corners<, a kickin piece of dark core with a melodic break, followed by >day of sacrifice<, which is representing the acid side of hardcore. the a-side will be completed by a hard and dark remix of >cold corners< by labelowner ebe company.
on the b-side you will find an >ionic storm<, with a great remix bystormtrooper and the original, of course.

just close your eyes and listen to these three lush compositions, while your imagination paints brilliant abstract visuals deep in the alleys of your mind. keeping consistent with the previous ten aesthetic audio releases, the formula for this new gem remains an uncompromising plethora of very raw substance, innovation, and timeless music that will clearly stand on it own amongst deep dance aficionados across the globe. deep roots: begins this journey with this intense and twisted deep banger that is simply a dancers dream. thumping drums and melodic string arrangements get things jumping as you are very quickly taken to your special place. the dark symphony: is a sinister and grimy yet gorgeous piece of work all at the same time. lush chords and dark electronic sculptures spark an imaginary sense of euphoria as the art of dance holds your body ransom. climates: captures the sheer art and raw essence of deep underground dance. this dark beauty continues to build until your body renders itself to the rhythm, and then ultimately it fades … leaving a beautiful memory on the canvass in your mind.

fifth part on vault series with more dark underground

driving forces recordings welcomes flug aka junior lopez, one of the main icons of argentinas electronic music scene, with >13 series ep<, a dark and rolling techno masterpiece.
after releases on labels like mauro picottos alchemy and pär grindviks stockholm ltd, >13 series ep< features remixes from his closest friends, the uks sleaze records label head, hans bouffmyhre and argentinas no.1 techno export juan pablo pfirter.
supported by adam beyer, dave clarke, slam, samuel l. sessionjoseph capriati, sasha carassi, alan fitzpatrick, virgil enzinger, alex bau, sven wittekind, monika kruse, submerge, secret cinema, a.mochi, perc, go hiyama, audio injection, axel karakasis, lars wickinger, lars klein ...

get ready for brazilian hard techno! while carnaval is full in progress, in the carnaval capitol of the world rio, somewhere deep hidden in the dark parts of the city you will hear the hard pounding beats coming at you through the walls and foundations. once you found where the sound is coming from you will be blasted away by the monsterous bass kicks brazilian percussion and rave noise from marcio m., malke, alex tb and barbers. this is techno and they are proud of it!

rehearsal is a techno tale in 4 parts. a dark story with a moody ambiance and unexpected twists. clear vinyl to 300 cps!

titbit music release 14 is produced by our enfant prodige from montpellier, now based in berlin, valentin foy aka slz. on side a, strugglin, feels like old ghetto track with a crazy acid long break to make you mad, on the other side, back stube, is a dark house track with a dreamy atmosphere and a lot of groove, a class ep.

defrag is back! sid le rock is the new star on our label with 4 hot tracks only for sophisticated tastes. troubles is a funky techno ballad with a dark voice, more troubles is the dark side of sid le rock, minimal sounds and spacing effects lead us to a new planet. she smiles is for a romantic journey and the remix of fairmont drive us directly to a gloomy love

niconé is back on stil vor talent with his very much loved project that has already brought us an absolute scorcher on stil vor talent before. again he features the wonderful vocal of narra on this hypnotically happy percussive house affair >caje<. the original track grooves on some free swinging percussions and a softly moving house loop making this a very subtle killer for any afterhour. while narras vocals carry the track as light as a feather it is after the breakdown that things get really musical! for the remixes stil vor talent has aligned a high-quality and diverse array of current top-notch producers. things go dark, minimal and very technological with pan-pots take on >caje< that still keeps a very soulful element in its approach. then, berlins coolest kid on the block adam port knows that every track gets better with a lot of claps-and he sure is right in his interpretation of >caje<. this is one of these tracks that sucks the listener in so deep that there is simply no escape: repetitive yet constantly changing and constantly grooving while remaining very pure! for his very soulful groove dirty doering adds some wonderfully melodic synths and guitars to his track that turn >caje< into an even more summery house affair. this release is filled with tracks that will long echo on the dancefloor!

produced in 2004, this ep marks an essential shift in the production of stefan goldmann to his modus operandi as a dedicated innovator. he had adapted the barricade guise to induce some serious deviations into the techno realm. yet, heads werent ready and he simply continued under his real name with his major breakthrough works: perlons blood ep and the legendary sleepy hollow tune. hidden from the public, aleko and frantic had built a prototypic aesthetic of rough, concrete-space sounds - reduced dark, metallic percussion grooves, spring reverbs and degraded post-acidic synths. you name it where you heard this sound years later. its revealing how far ahead these tunes were at the time of their creation. they sound more now than many current tracks. aleko is the 4/4 techno version of this soundset, locked-in clonk patterns built around a nitrous bassline. frantic could be a future development to todays dubstep, if it wasnt its actual historic predecessor. add the schizophrenic bass excursion heliotrope and you have a package of painstaking relevance. back then the a&rs simply didnt get it - thats why it took 6 years and the formation of victoriaville to finally bring these gems to light

man/machine: since their self titled debut album, vienna’s elektro guzzi made an impact on the scene no one could have imagined. being the first ever real techno live band, they took the scene by storm with their unparalleled stage appeal and future-forward sound. rocking clubs like berghain and fabric as well as numerous festivals (including sónar, time warp, spring 10, ade and mutek), it was the headstart of 2010. playing constantly live at countless gigs, plus live and studio appearances with patrick pulsinger and stefan goldmann, elektro guzzi’s music was set on fast forward evolution mode. “extrakt ep” captures the latest state of elektro guzzi’s incredible live sound, recorded in london with the outstanding capabilities of brendon ‘octave’ harding, the trusted engineer of dub legend lee ‘scratch’ perry, and mixed by mega-producer patrick pulsinger. the four cuts capture elektro guzzi’s raw side, turning out dark sexy grooves with an almost indie edge - probably their most danceable and dj friendly studio material to date - specifically produced for the vinyl format

lost&found is einomas new ep, out in february 2011 on shipwrec. the record features one long new track on the a-side as well as two older and previously unreleased pieces for the b-side. the main track >bla< was conceived after editing real-time and live sessions made for gigs after the release of last years >tvenna< ep. the sound material >bla< was initially made from was quite old and the idea and title of the ep >lost and found< came about, reworking of older ideas in a new setting. the a-side demonstrates the more dancefloor side of einoma while the b-side explores the more dark and dense regions einoma have become more known for.

corporate stand for: hard, dark, jackin techno!3 wicked hardtechno release combined in one special limited sales pack. this is hard techo to the bone, play out loud, but at your own risk!

after the fittingly excellent 30th release from markatonio, analytic trail waste no time in delivering their next release, this time coming from scottish producer hans bouffmyhre. the paisley based artist has graced perc trax, harthouse and jochim speiths affin with his releases in the past and his production continues to garner support from a wide and revered array of djs. someone im not boldly kicks off the ep with a dark but grooved-out edge which will please fans of his previous work for perc trax wintery, late night and uncompromising techno. bermuda tool follows and pushes further into the darker territories of techno with a lazy pace providing counterpoint to a tapestry of moody effects. self punishment ramps up the energy but keeps the sinister, mechanical vibes of its counterparts while final cut planet deception closes proceedings with a drum focused workout with some killer yet simple snare work.

following the success of his debut ep, komisch is delighted to put out the next instalment from sp-x. like his first release, the three tracks on field lines never end capture the essence of contemporary techno - austere and functional, yet deeply resonating. field construction starts with crackle of a broken power cable accompanying brittle percussion and a juggernaut rhythm, before dank filters, distorted riffs and a combination of doubled up claps and hissing hats bring the track to an irresistibly dark climax. internalize follows a similar path, but straight away sp-x plots a more ominous course, with a muffled filter making way for jarring riffs, a grubby acid line and killer claps. last but certainly not least, flux is constructed using dense rhythms, deadweight, iron bar beats and a howling siren riff that sounds like it came from beyond. all the while, sp-xs rasping, firing percussion weaves in and out. these are deadly effective techno tracks, streamlined for use on big speakers - but dont take our word for it, try them out yourselves!

brainiac kicks off with a dark and foreboding intro, then crashes into a powerful, rough and ready roller. menacing punchy beats, obscene chest thumping basslines and plenty of clever edits, guarantees this tune to maintain high energy levels in any club. this track can only described as absolutely devastating! the reverse side opens with a tense synthline that drops into fully charged neurofunk. although this track is more down tempo track, its sub warbling basslines, complimented by rattling percussion and steppy breaks, means legacy is sure to get the dancefloor swaggering.

roland appel is the well loved and respected producer and dj, based in southern germany. quickly recognised for his work for sonar kollektiv or compost, we are proud to announce his debut for poker flat recordings. the beautifully original and stand-out >fleurs du mal< is a classically themed masterpiece in the making. warm, phasing synth energies build before introducing cosmic choirs and bell melodies that blurs the boundaries between mysterious cult soundtrack and club bomb! the deep searchin >black leather< shows yet more techno promise with a brooding, textural synth at the centre of a full-on exploration into dark, tactile and satisfyingly underground territories. a true slow-burner, and a post tech-house killer in its own right, this detailed and accomplished cut forms the ideal futuristic backdrop to take us into 2011

sonic groove welcomes berlin based friend, italian born producer dino sabatini to its family of artists. dinos brand of hypnotic industrial tech noise hit the spot with many last year with his double ep daughter of phorsys on killer techno imprint prologue, germany, a killer release that many top techno dj supported. now for his first release of 2011 dino continues exploration into the dark side of the industrial techno sonic groove with his four track small step ep. a masterpiece of deep dark electronic music ranging from peak floor burners to dark deep mind burners that techno & industrial lovers from around the universe will surely love.

averse to any easy classification, rainbow arabias continent-trekking, kaleidoscope pop is rooted in no particular time or place, employing modern technological processes to an array of musical cultures and eras. the los angeles duo began with the purchase of a lebanese casio that played microtonal scales and eastern beats, with which they quickly recorded their propulsive first ep, the basta, synthesizing bossa nova and industrial post-punk with heavy middle eastern vibes. digging deeper for inspiration from the worldly found sounds of sublime frequencies compilations, their follow-up ep, kabukimono, expanded the color palette of their >fourth world< pop with dark, arabic disco-dancehall jams sitting alongside sunnier moments with caribbean and african flourishes...

the latest addition to the ostgut roster, detroits ryan elliott, is a recognised force on the international dj circuit - yet his productions are few and far between. now re-located in berlin, the new berghain resident contributed his track >abatis< to the >fünf< anniversary compilation, setting the tone with dark and brooding techno undercurrents. these two new tracks bring ryans production skills to the fore, both slow burning and refined recordings that show off his love for bassline-led, straight forward club tools.

the power of youth is being felt all around the world right now, as dictators fall and governments wobble in the face of youngsters fighting against apparently dark futures. here, shifting peaks harnesses some of that energy for a split 12 inch double header from two of the most promising young producers around. two young producers, 4 tracks, a world to win. keep the fires burning brother and sisters!

nice price deal !!! early support by luciano, dop, mathias kaden, steve bug, dixon, tini, karotte, markus fix, chris lattner, timo maas, ripperton, nick harris, martin landsky!baalsaal welcomes mr aeromaschine and predicts a long relationship to come. aeromaschine delivered a real versatile stunner. debunking random myths stands out as a very unpredictable piece of live performanced like collage and definitely will be his opener on his next festival in summer. not so is an hypnotic acidy interpretation of past future old school with a present high roller coat. this track blew us away. on the flip dean aka bearweasel digs a little deeper with classy dubby elements and a journey to planet x dream dancing to come... the dark horse is serenades for simple brains a beatdowner that nails it when it comes to non hype edit production.. a track to play for the next decade.

2011 has arrived in a flurry of light and shadows,and with it,this release on desolat x,the special edition series that features music for dance floors.this time on blue vinyl and artwork by florian pohl. a natural at manipulating the soundwaves and musical algorithms,dragosh has been infiltrating music software since the age of 15, based on a healthy obsession with the foundation of snare and bass. raised in bucharest his roots run to house,jazz,hip hop and before that, romanian folk and the stories intricately interwoven therein.as a budding physicist,who currently resides in italy,were sure youll agree dragoshs work embodies the elusive hunt for dark matter within the curvature of spacetime:disembodied and floating. afterdark antigravity vibes never felt so good.

shadow sync are back with their latest true techno, full analog release on krd. poles is marked by a percussive sound which despite its inharmonic character yet keeps a trace of tuning making it similar to a voiced percussion. this main sound is arranged to form a sort of pseudo-melody determined by the different intensity, lenght and color of the reverb tail. the 909 delivers both the drum line and the bass line, realized using the tom section. the background is populated by friendly, ceaselessly mutating sonic organisms. magnetic fields is a train rolling through dark, post-industrial landscapes. its built around a drastically eqed 909 tom, a nervous echoed clap and a cross-rhythmic, 3 against 4 hypnotic bass line which evolves in a bell-like sound towards the pause. the atmosphere is saturated with sound vapors and the temperature is dangerously high: play at your own risk!

limited to 300 copies on 180g vinyl with neon green and black pantone sleeves.
davey jones is a new non-genre label focusing on a dark, primal aesthetic. run by unlikely of clandestinecultivations / dubpressure / platform 1 and designer letty fox. all design and videos by letty fox. visit the davey jones website for videos (www.davey-jones.com).
supported by laurent garnier / dj ez / reso / n-type / ben ufo / mumdance / donga / subeena / heny g / warlock / fused forces + more.

the dark and mysterious >forms of dusk<, techno stripped down to its essence, makes up mike walls first release on der hut and is accompanied by stunning remixes of premier league producers deagon and mekas

well rounded kick off 2011 with the deep space bump-n-hustle of littlefoots aptly named >interplanetary< ep.
all 4 tracks contrast tuff dry drums & low sweeping subs with cosmic atmospheres and twilight melodies and chords. theres a unique strictness in the drums here, less swung than typical garage but with innovative programming that shows a producer keen to explore new possibilities. as ever with well rounded and our producer friends, we are celebrating influences from the past - think classic 4/4 uk garage in the vein of dem 2, mixed with early 90s rave sounds and welded together in a motor city car plant. with added post-dubstep production sensibilities, littlefoot is creating an unheralded hybrid sound. all 4 tracks contribute to the completeness of the ep - we go in hard, explore different areas and complete our journey with the last track. we hope you enjoy this trip.

the 2 first releases of db_24 (ac_02 & ac_03) were designed with splitted electro & techno sides.
the >urban works 3 ep< presents deep & powerful electro sessions by db_24.this special collector release features dark metallic bluish-gray monochrome cover and labels designed with industrial precision. the records are pressed with 180g natural translucent color vinyl.

a message from claude vonstroke: >sascha braemer has got the funk! i first heard him on the amazing thrill on kindisch which i charted in my top 3 tracks of 2008. after that i heard the even more amazing heinrichs and hirtenfeller album dark orbit, (my favorite album of 2009) on highgrade. i usually like to break new dirtybird artists but this time i had to go find this guy and beg him to make us something. sascha has got that tech-funk, caveman quality that is so elusive and hard for me to find as an a&r. and on this record you will hear why i went and found him. this is an absolute beast! both tracks are tried and tested club killers. truthfully, i cannot think of a better dance-floor record on dirtybird this year<

following the shock success of t. williams >heartbeat<, voted #3 dance track of the year by us itunes, local action returns for 2011 with the debut 12 inch by contakt.
contakt hails from the midwest, but now lives in new york, where he helps run the acclaimed turrbotax® parties. the sinden-championed >not forgotten< is an ideal introduction to the balance he gets between detroit techno and contemporary underground club music, with huge galloping drums and fiery synths, while the b-side is dedicated to a stunning remix by rolando (underground resistance / ostgut-ton), and a real sleeper hit in the dark, stabbing >rhodophyta<.

top russian dj teams with honcho abe duque for stellar dark house and techno three tracker. initially created on moscows >club on the roof< this ep begins and ends any night. limited in nature and a limited 300 pressing only.

ulysses dj career began in 1991, when he started his universitys first techno radio show. shortly after graduating he returned to his hometown and became a player in the late-90s electro scene in new york, running some of the earliest large-scale electro parties in new york. guests included legends such as alexander robotnick and arthur baker, as well as recent stars like i.f., miss kitten and the hacker and adult. ulysses is not only about party promotion, however, and a close look at his diverse musical career will quickly shatter this misconception. although a long-time advocate of obscure disco and classic techno, ulysses is currently best known for the piano house anthem robotic hypnotic adventure from his neurotic drum band collaboration with john selway. in addition to the ndb ulysses collaborates with thugfuckers holmar filipsson as filipsson & ulysses, who are releasing soon-to-be classic eps of emotive electronic disco on internasjonal and bearfunk records. ulysses still continues to chart his own musical path with an incredible ep of dark pop for internasjonal spesial in the works, as well as some new club-friendly dance tracks on wurst and his solo debut for throne of blood. the acid reflux ep represents the diversity of ulyssess talent, from banging acid tracks to moody downtempo and grooving electronic house. to round things out ulysses recruited prins thomas to deliver an unprecedented nine-minute rerub of >acid reflux< that preserves the originals 303 groove but injects a heaping dose of cosmic atmosphere and live instrumentation into the mix. essential

nice price deal !!! on this first release matt follows on from his bingo, jerona fruits and shadybrain releases with his latest offering >threatz<, featuring cuts from jehst and diversion tactics dj jazz t. caned by bailey on his 1xtra show, this is hard hitting drum and bass at its best, full of aggressive funk, tough beats and old skool 97 flavour. on the aa is >embryonic<, a rolling slice of tech drum and bass with an infectious groove that keeps proceedings dark but full of funk, making this a solid release that bodes well for a label concerned with quality not quantity.

cult swedish producer and multi-instrumentalist tiger stripes arrives on audiomatique with this incredible new three track ep. a monstrous lesson in modern minimalism, ah-64 pumps with a dark yet funky inner power thats felt even stronger after the sinister string laden break. slow building and totally infectious this trippy late-nighter is built for the big rooms and will have you reaching for the lasers in no time. on a slightly lighter tip, how we feel warms us with funky, energetic percussion in a modern and positive tech-house jam. with smooth future house keys and plenty of details its a straight forward floor burner. back to detroit city takes us right there, deep, dubbed and melodic this retrospective workout features delicate melodies laden above yet more warm, powerful and driving beats. continuing, elongating and drifting, its a perfect conclusion to the ep.

dark hypnotic / hardgroovin techno on fat wax !!

slamming remixes to subway fever... from axel karakasis, sasha carassi, spiriakos & steen , frenkie v... 4 tracks with full of prime time techno !!!

erell ranson is based in the north of france and has already released memorable records on arne weinbergs aw-recordings, as well as on his own myself label. he expresses his personality through these soulful productions, and this new release on adepth demonstrates how his great talent has developed even further. each track on the new everything needs to be clear ep is an individual musical journey in its own right. the 4 track ep begins with erells original version of >everything needs to be clear<. its combination of gentle chords with electro beats is the foundation of the musical ideas explored throughout this release. the second track, >so strange to explain<, is deeper and an adventurous fusion of dark, intense tones, swirling beats and insistent percussion. on the flipside, canadian rennie foster remixes the title track, and delivers a fine piece of modern dancefloor techno which respects the key elements of title track. erells >sandcastle< closes the ep, and its sophisticated yet punchy bassline and fragile synths recall some classic early 90s productions.

label-boss markantonio delivers the 30th release for analytic trail with alone against, four tracks of the neapolitan producers refined rolling techno the first from his brand new studio which stands in the shadow of vesuvius.finally, the dark drops and cavernous reverbs of my tisana close an ep which proudly extols the virtues of uncompromising machine music which is aimed squarely at the dancefloor. with a remix package to come featuring the advent, joseph capriati & paco osuna, loco & jam and flavio diaz, alone against is an ep which will have serious legs.

apendics.shuffle hat scheinbar ueberall seine finger im spiel - saenger, gitarrist, produzent mit etlichen pseudonymen - das sind nur eine hand voll begriffe, die den weg beschreiben, den der amerikaner musikalisch bis jetzt zuru&#776,,ckgelegt hat. mos ferry war auf diesem weg stets ein beliebtes refugium, in das er nun zum vierten mal mit einem release unter dem arm einkehrt.

whats my name, the latest single from the bajan songstress rihanna, is not a cover of the clashs 1977 punk classic, but finds riri taking a detour from the dancefloor-scorching grooves of only girl to craft a steamier cut which draws its heat from her short-lived, but much-buzzed-about relationship with the t-dot heavyweight. here, the upbeat synth boardwork of stargate sets the stage for a heaping helping of innuendo from both collaborators, drizzy handles verse one, sing-rapping his way through a double-entendre-peppered opener (the square root of 69 is (eight/ate) something… right? cause i been tryin to work it out.), and rihanna responds in kind, lacing her verses and chorus with some playful come-ons of her own. digging this catchy ode to young love/lust? then be sure to grab a copy of this vinyl and the heavy remixes it has.

once again leng deliver with a lovely bit of heavy electronic stompery. tiagos >the source< goes straight for the dark end of the dancefloor and wallows in the smokey acidic enivirons of the late night moody corner ! with a punchy throbbing bass, hefty beats, tons of spacey effects and some awesome delayed hi hats to really mess your head, this is in the box for the strobe light moment. on side-b >mudds slow rave mix< turns up the acid a few notches, somehow gets even swampier in the bottom end and slightly more whacked out on the fx, add a lovely niggling synth line for a dark heavy dancefloor work out.

supported by loco dice, marco carola, dubfire , danny tenaglia , gel abril , gregor tresher , tim green , daniel sanchez , paco osuna , joseph capriati , luca bacchetti..... new ep for giuseppe on carillon records, this time some different tracks and styles. love transition is the most deep and housey track full of voices and effects with a great restart. i was right is the pick of this ep, a great groove with a classic pad in the breaks. lovers fight is the more tech house track,dark and solid in perfect style with the carillon first release.

following up on their 2009 debut miso release, the brighter side, version returns for another round of innovative sounds on miso 013,entitled >nothing<. charles webster, martin >atjazz< iveson and vocalist, emilie chick continue on the path of pure quality with 4 tracks of adventurous, modern, deep electronics for the dancefloor. >nothing< straddles many dance genres gracefully, appealing to the deep and soulful crowd while also giving the techy, moody folks plenty of aural inspiration. with tough beats, tasteful instrumentation and another wonderful emilie chick vocal, the 2 dubs and full vocal mix are sure to please dance floors, dens and dinner halls, the world over and the wonderfully dusty sounding atjazz remix is pure enjoyment.the vinyl is a one time only limited edition high quality pressing.